“This concert was recorded live at Boston Music Hall in Boston, Massachusetts on 24 September 1972. These stereo masters were digitally transferred from FZ’s Ampex ATR 100 deck into Nuendo at 96 K 24 bit by Joe Travers using Euphonix AM 713 Converters – in April 2007. …this concert had a slightly different original dynamic in that Big Swifty followed Greggery Peccary. Due to disc space we resequenced the program to maintain the integrity of the performance.”
Ah the joys of Audio Hijack! Dweezil on Rockline is now available for download right over here. The file is about 101Mb, so please download directly to your hard disc (right-click, save as) instead of listening online. Bandwidth is a costly commodity…
Update: Our pal Balint has split the above monolithic track into consumable segments. Download here.
Dweezil and Zappa Plays Zappa are live in studio on Rockline Replay, which includes five individual on air segments, wherein Dweezil answers questions from callers as well as from the host Bob Coburn, in between performances of FZ’s and Dweezil’s music. Ever wanted to know if Frank played with Hendrix? Click and find out.
Indeed: the time has come to lay to rest The Voice Of Cheese. Over the past months, no less than 35 participants have had the guts to submit a track, knowing full well their entry would be scrutinized and critiqued before an audience of die-hard Zappa fans. That’s saying something.
To all who participated: kudos! You are the best, and I hope your submission got you some exposure.
“Is this the end of KUR Audience Participation?”, you ask? Mmmh, well I do have an idea that involves nothing much more than a webcam and a YouTube account… I’ll keep you posted.
By the time Mark Volman and Howard Kaylan joined Frank Zappa’s second incarnation of the Mothers, not only had the Turtles disbanded, but their legal troubles had reached such epic proportions that they had lost rights not only to the band’s name, but their own ‘noms de plume’ as well so that while these cases were before the courts, neither of them could tour or perform as themselves. Thus were created the Eddie and the Phlorescent Leech (aka The Sanzini Brothers) personae out of sheer necessity.
This week’s boot takes us back to Melbourne, 22 january ’76. Apologies for the rudimentary naming of the tracks (i.e. Track 01, 02 etc) but I haven’t had time to listen to this one yet myself! Besides, today’s my birthday so I’ve other things on my mind. Whew, that went fast…
Are you sad? Take a pill. Stressed out? Take this pill. Depressed? Take that pill. Did Zappa envisage the present-day mass marketing of drugs like Prozac, Zoloft, Paxil — drugs designed and marketed to modulate your brain chemistry and intended to make you less depressed, more sociable, more happy at work; aimed at altering your mood or “changing” the way you think, feel and act: with over tens of billions of dollars in annual sales and 35 million users worldwide — when he composed the song “I Come From Nowhere“?
Listening to music for at least 20 minutes each day can help slow down your heart rate and other body functions and can help you deal with the root causes of depression, such as anger, frustration, sadness or anxiety.
I don’t know about you, but not only does 20 minutes of Frank Zappa each day do good for my bodily functions, but the image of that pussy in headphones alone brings a smile to my face…
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killuglyradio.com is a community partly dedicated to Frank Zappa. We are non-profit and not in any way endorsed or connected with The Zappa Family Trust and/or Zappa.com. The Zappa Family Trust and Dweezil Zappa have no formal or informal association and in no way condone or support our efforts to further enhance knowledge of and appreciation of the many and vast talents of Frank Zappa. Any content related to FZ is nothing more than a fan's efforts to broaden the knowledge and appreciation of the many works of Frank Zappa. As such, any Zappa related content exists solely as an educational tool to help achieve that goal. Lest ye forget: lawyers are the scum of the earth. You might want to remember that.