Baby Your Face Is Mutated

The Tubes are a San Francisco-based theatre rock band founded in the early 1970s and known for their live performances which combined lewd quasi-pornography and wild satires of media, showbiz excess, consumerism and politics.

Influenced by the Mothers of Invention and Captain Beefheat & his Magic Band — The Tubes performed covers of Frank Zappa’s ‘More Trouble Every Day’ and ‘King Kong’ in a 1972 concert, and recorded a cover version of Beefheart’s ‘My Head Is My Only House Unless It Rains’ on their 1977 album, NOW.

Their 1978 album, What Do You Want From Live, is considered by many to be the quintessential “live” album. I tend to agree. I was also fortunate enough to see The Tubes live myself in 1981. I was not disappointed. Their live shows are legendary. After they broke up in the late 80s I thought that was it for The Tubes, but fortunately for new fans, after the release of their 1996 “return to form” album, Genius of America (after several disappointing efforts in the 1980s), a reformed line-up of The Tubes began touring again, including:

Fee Waybill (lead singer/songwriter)
Roger Steen (lead guitar/vocals)
Prairie Prince (drums/percussion)
Rick Anderson (bass)
David Medd (keyboards)

(Note that David Medd was invited to sing on Genius of America by Gary Cambra who has since left The Tubes to do solo projects).

If you can’t see The Tubes live, yourself, there’s always The Tubes Wild West Show on DVD (Unlike the live album, it doesn’t have any of those nasty “bleeps” the record company censors loved so much in the late 70s).

BTW, I know who I’d like to dedicate this particular video to…

First Church of Zuppuology

Church of Zuppuology 2
R. Gayle Shiester:

Welcome to the First Church of Zuppuology!

Don’t you be Tarot-fied
We are here to help you fill the cultural vacuum
Don’t you be Tarot-fied
Just pay your dues to the estate of the founder

FRONK ZUPPU!!! FRONK ZUPPU!!!

Don’t try to look behind his eyes
(They are made of paper and/or pixels)
You don’t wanna know what he has seen
Don’t you ever try to look behind his eyes
(They are made of paper and/or pixels)
You don’t ever wanna know what they have seen

Only the First Church of Zuppuology knows the truth of Zuppu
Only We know the true way to Zuppu knowledge
Don’t mess with Zuppu blasphemy and Zuppu heretics
But follow the true path of Zuppu to Laurel Canyon

Zuppu Freak:

Oh Mystical Advisor
What is my problem, tell me
Can you see?

R. Gayle Shiester:

Well, you have nothing to fear, my son!
You are a Latent Litigation Fetishist,
It appears to me!

Zuppu Freak:

That all seems very, very strange
I have never craved a lawyer
Or been on a jury before

R. Gayle Shiester:

A Latent Litigation Fetishist
Is a person who refuses to admit to his or herself
That sexual gratification can only be achieved
Through the use of THE LAW . . .
Get the picture?

Zuppu Freak:

Are you telling me
I should go into a courtroom now
Mr. Gayle?

R. Gayle Shiester:

No, my son!
You must go into
BERGER KAHN
(the Club)

Zuppu Freak:

What?

R. Gayle Shiester:

And you will have

Zuppu Freak:

Eh?

R. Gayle Shiester:

A lot of fun!
That’s where they all live . . .
So if you want a
Lawyer to love you
You’ll have to go in there
‘N get you one

Zuppu Freak:

That seems simple enough . . .

R. Gayle Shiester:

But if you want a really GOOD one,
You’ll have to learn a foreign language . . .

Zuppu Freak:

German, for instance?

R. Gayle Shiester:

That’s right . . .
A lot of really cute ones come from over there!
These lawyers really go for a guy dressed up like a tribute band who can speak German (you know what I mean) . . .
(Fifty bucks, please)

Inside BERGER KAHN:

Little ugly lawyers dance around with tribute bands with names like Protect/Object, Kilt Ugly Ratio, Bogus Pimps, Muffled Men and Shocked Yembouties . . . and when Zuppu freak sees this one lawyer, with an enormous supeonas covered with . . . he BURSTS INTO SONG . . .

Before leaving the First Church of Zuppuology . . . and for small introductory fee . . . you can briefly enter the Ye Old Vault itself and stand in the very presence of an actual replica of the guitar that Hundrox gave Zuppu as a gift . . . also be awed by our newly renovated Utility Music Research Kitchenette — now completely redesigned and automated in line with our new corporate philosophy: Attack Anyone at Anytime For No Reason At All. Then relax in our new lounge PEW 38 and refresh yourself with a nice Freak Up Ale or a Kill Ugly Stout, before stopping by our friendly store to buy your entire family a Fronk Zuppu T-Shirt (comes in all sizes and made with care by happy Honduran workers), Portrait-sized jigsaw puzzles and posters of our founder . . . Pay toilets available in the atrium, just ask our lovely hostess Lucille for change.

kill ugly stout small

All terrestrial, extraterrestrial, and interdimensional rights reserved from this moment until the end of time itself. All music, art, images, text and other content are vicariously copyrighted for the world & the universe & beyond © The First Church of Zuppuology (unless otherwise noted). Zuppu, Fronk Zuppu & The Virgin Beard and other various hairs as of yet not grown are marks belonging to the First Church of Zuppuology. All Rights Reserved. Register & Vote for Hillary. Free Buttons for members.

Zuppu himself

This post is copyleft.

Year of the Freak: February (the weesa)

In honor of that special individual who has stuck by the freak through the long years of freakdom — be it a friend, a girlfriend, boyfriend, spouse, mate, ex-wife or ex-husband (hey, you can’t expect everyone to stick around: twenty years is a very, very long time) — for helping to steal hub caps, for listening to those same favorite FZ/MOI albums and tracks over and over again, for hearing those same FZ/MOI anecdotes for the umpteenth time: this post is for you.

The weesa (she’s so divine)

El Copyright Del Mundo Invisible

Maroual writes in with the following question:

Could the Gala-Salvador Dalí Foundation send a C&D letter?

… and refers to this post he made on the Zäppî forums:

The Zappa Wazoo liner notes mention “Cover Art ‘Mundo Invisible’ (oil on canvas, 60″ x 72″) by Christopher Mark Brennan, 2003″ which itself is a derivative work of the excellent Slave Market with the Disappearing Bust of Voltaire (oil on canvas, 46.5″ x 65.5”) by Salvador Dalí, 1940.
Actually I was curious to know whether any permission was needed and/or requested to the Dalí Family Trust (la Fundació Gala-Salvador Dalí) prior painting and then publishing. This painting should not fall in the public domain before 2010 thanks to the copyright extensions, right?
Does this constitute a copyright infrigement? Does this respect the original intent of the painter?

Heh heh!

Year of the Freak: January (the rat)

In honor of our friendly neighborhood webmaster, Barry, and due to unfortunate circumstances beyond his control whereby the discography section can no longer post images of a thumbnail nature, I post the above.

Hey, any excuse for a guitar solo is a good excuse.

The Continuing Saga Of Franko Zappacio

1. part
Gail Zappa discovers that Isaak is Jane23’s real child’s father. Jane23 asks his husband not to take away Gail Zappa’s position, together wanted it to make jump they. Paul Sempschi obliged to reveal the old secret. His mother just turns up in this moment, that let Dweezil Zappa put his cloak out from the house. Xorg and Jane23 decided that they go abroad again.

“A telenovela is a limited-run television serial melodrama of the type made famous in Latin America.” Oh yes. And this is our cheap version – a story generated totally and exclusively by machines: after I’ve given the names, the thing called Brazilizator made up the story, and after it (“I’m also programmed for conversational English!”) an online translator – voilá! – turned it into “English”. No “human elements” or other ulterior motives added! :-)

Curious? Continue reading “The Continuing Saga Of Franko Zappacio”

A Reader’s View, 2007

Another year is (almost) over, so as a reader of this site (for years now!!!), I’d just like to wish good luck and happyness to the Owners Of This Site, and a Happy New Year – to Barry’s Imaginary Publisher and Dr. Sharleena!
They might think they’re doing it for their own pleasure. Hah! How wrong they are. They are doing it for us! So what can I say after all these years, after all the things happened this year, etc. etc?

Just one tiny “thank you!”

Thank you!

Just one???? Nooooo! Thank you some more!!! :-)

And all the best for 2008!

Skip.

google.com/search?q=zappa+wazoo:

zappa-wazoo-google.jpg

I rest my case.

To be perfectly clear: I think the Zappa/Wazoo release is fantastic. However this is how the “official” page shows up in Google (and other search engine) results — “skip”, the link that allows you to bypass the introductory flash animation, being the only one single word that gets to be picked up, and therefor shows up in search results. Is it any wonder that people end up clicking on other search results?

Howard Kaylan Interview

When Howard Kaylan and Mark Volman joined the Mothers, they were used to being judged by the last record they made. “That’s bullshit!” Frank said. “Your life is your artistic canvas…” Hear more about this, as well as more on the history of The Turtles, The Mothers, Flo & Eddie, and his solo project on the 4-part Podcast interview with Howard Kaylan: Part One, Part Two, Part Three, Part Four.

The Man Belonged In A Strait Jacket

Blogs 4 Brownback on Zappa:

The man belonged in a strait jacket. Wherever he is now, I’m sure it’s hot and I don’t want to go there. He was one of the deviant perverts who subsumed American culture in the 1960s. His music was horrible and weird, and his viewpoints were, too. We should exhume his body and burn it in a dumpster. It’s the least we can do for him, after all he did to us.

And who the fuck is Brownback? Oh, here he is.