In “Tweezer Glint: Finale — The Roxy Years 73/74 (Part I)“, we hear Zappa songs evolve as his band toured them, some growing from their early proto instrumentals into fully realized versions, while others became more refined with each successive performance; still others act as a showcase for the talents each and every band member. What should be obvious to anyone who listens to these tracks is that Frank and band are having a lot of fun. So are the many and varied audiences. So should you. I know I had a ball putting this one together. A fine way to end the series, methinks.
Note: Parts two and three will be posted in two and four weeks, respectively. I wish to thank Charles Ulrich’s analysis of the 1973-1974 bands at Planet of My Dreams for his useful research. This mixtape would be much, much less than it is if not for his efforts.
The 1984 tour ended on Dec 23, 1984, Universal Ampitheater, Universal City. Since then, as you well know, Ike Willis has toured with Project/Object for nearly 15 years, and in that time Ray White has performed with us a handful of times in San Francisco and at Festivals around the country. Those occasions remain the only times these legendary performers have shared the stage since Zappa Tour 1984. Now… we bring you an opportunity to see them on an exclusive New Year’s/Holiday tour with Project/Object.
In Baltimore, 69 years ago, a boy was born who would soon be playing very mediocre drums for a while, produce fake porn soundtracks, have a short failed carreer designing greeting cards, and play music on a bicycle. Luckily that was just the beginning!
One of the most interesting things about acquiring Frank Zappa field recordings is that after a certain point of collecting and listening to them, one reaches a point of critical mass where particular questions keep popping into one’s mind again and again. How would an earlier version of a song sound with a particular drummer? Violinist? Percussionist? Or from an ensemble from a completely different era? I mean, after a point, the sheer number of individual versions of songs becomes quite incredible. Continue reading “Anatomy of a Field Recording”