Anatomy of a Field Recording

One of the most interesting things about acquiring Frank Zappa field recordings is that after a certain point of collecting and listening to them, one reaches a point of critical mass where particular questions keep popping into one’s mind again and again. How would an earlier version of a song sound with a particular drummer? Violinist? Percussionist? Or from an ensemble from a completely different era? I mean, after a point, the sheer number of individual versions of songs becomes quite incredible.
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