Zappa live at Hammersmith Odeon, 1978, 3-CD set.
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barfiness announcement. Pre-order here.
Update: Nov 8 2010: the correct tracklist can be found here.
As a long time fan of Frank Zappa and the Mothers of Invention, the names of particular musicians have threaded through much of the music I have listened to and collected throughout the years. Names such as Andy Cahan, Lawrence ‘Stash’ Wagner, and Tom Leavey. Together and separately, through compositions and through associations (sometimes as members and as contributors) they formed links with such bands as Frank Zappa & The Mothers, Lowell George & The Factory, Little Feat, and Captain Beefheart & His Magic Band, and Geronimo Black.
Continue reading “Some Nostalgia For The Old Folks…”
In the three short years since Zappa’s 1975 release of his mostly live album with Captain Beefheart and the Mothers at Armadillo World Headquarters in Austin, Texas on May 20th through 21st, 1975, it’s affect upon popular culture is astounding…
…Beware, Bongo Fury! Mwwwahhhhhahahaha!
Frank Zappa stops by for an after gig radio interview at WBCN-FM, Boston, MA, on October 26th, 1978. Zappa apologizes for his lateness by producing a tape from the mixing board of the start of the prior night’s show of “Persona Non Grata” from North Shore Coliseum, Danvers, MA, followed by an interview. Another piece of fantastic Zappa history.
One of the most interesting things about acquiring Frank Zappa field recordings is that after a certain point of collecting and listening to them, one reaches a point of critical mass where particular questions keep popping into one’s mind again and again. How would an earlier version of a song sound with a particular drummer? Violinist? Percussionist? Or from an ensemble from a completely different era? I mean, after a point, the sheer number of individual versions of songs becomes quite incredible.
Continue reading “Anatomy of a Field Recording”
One of the reasons Frank Zappa’s music has been so appealing to me throughout the years is because so many of his compositions like “Little House I Used To Live In” function as a canvas for his musical ideas (a microcosm of his musical universe you might say) in which a new song might very well emerge within them during each new performance.
Continue reading “Little House I Used To Live In, Berlin ’78”