Sunday Big Note — Listening Session #25

Just about anyone from my generation who became a teenager in the 1970s is going to be extremely familiar with today’s Sunday Big Note artist. Indeed, the debut solo effort by this group – Tales of Mystery and Imagination, released in 1976 – is considered to be a classic album. Of course, I’m speaking of The Alan Parsons Project.
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Today’s Ear Worm: The Game

Das Pop are a Belgian band who first became known through their victory in the 1998 edition of Humo’s Rock Rally. I never really thought much of them though I did buy their debut album “I Love” when it first came out, which left me underwhelmed.

Fast forward to the here and now, and Das Pop have a new album out called “The Game”. I haven’t heard the full album yet since I’ve been a little busy kicking my friends butt at solitaire for money, but the title track I must say is an absolute gem. The retro-style introductory vamp, the vocals, the guitars, the production: this is as close as a pop song gets to being perfect.

Don’t take my word for it though — check out the official video (which itself isn’t too shabby either!):

Update: For those who cannot view the above video, Urbangraffito has provided this Grooveshark link.

Have an ear worm to share yourself? Do tell.

AltRock Extravaganza – 2011

From the very first instant I received a CD release from the independent AltRock label from Milan, Italy, I have been increasingly impressed by the exceptional quality of their releases (see Yugen & Rock In Opposition posted on Saturday, October 30th, 2010). Indeed, the AltRock label appears to be increasingly the “go to label” for prog music lovers. The following four new releases which arrived in my mailbox only add to this label’s increasing appeal. Now, “Let’s hear it for a great Italian label…”
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Sunday Big Note — Listening Session #24

From the very first time I heard Eddie Jobson perform as a member of Frank Zappa‘s band in 1976-77, I was immediately drawn to the style and playing of this virtuoso violinist/keyboard player. Whether it was Zappa compositions, or those of Roxy Music, Jethro Tull, or even his own solo work or through the supergroup U.K. – Jobson’s style was and is uniquely his very own.
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Sunday Big Note — Listening Session #22

Usually, when most think of the Irish hard rock band, Thin Lizzy, formed in Dublin in 1969, songs like “Whiskey in the Jar”, “Jailbreak” and especially “The Boys Are Back in Town” come to mind. Not surprising since these songs are still staples of hard rock and classic rock stations. Yet, as a hard rock band, peculiarly enough, it wasn’t until their fifth album, Fighting, in 1975, and the advent of their twin guitar sound that they really began to achieve lasting success as a group, followed by their breakthrough album, Jailbreak, in 1976.
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Sunday Big Note — Listening Session #21

Back on Friday, March 28th, 2008 I published the post, Live Albums — Dead or Alive? in which I listed many of my favourite live albums: Zappa In New York (1978); Super Session (1968) with Mike Bloomfield, Al Kooper, Stephen Stills; and Warren Zevon’s Stand In The Fire (1980/2007) just to name a few. Among them, though, was also an absolute favourite live album of mine which has long stood the test of time. That artist and album being John Mayall’s 1969 live release The Turning Point.
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You’ve Got Mail!

I’ve been rather busy outside of this website as of late, and wouldn’t you know it: that’s when people start sending in all sorts of interesting stuff hoping I’ll relay that stuff here. Without further ado…

  • Regyptian Strut guitar solo tablature as notated by Mark Hawling who says: “I just get sick of seeing them doing nothing on my HDD when there must be some nutter out there interested in something like this.”
  • “Waltz For FZ”, as featured on Utopianisti. Says Markus Pajakkala: “I’m a composer/multi-instrumentalist/producer from Finland.”
  • From Ab Stammehaus: “Warren Cucurullo’s new band Chicanery with new album coming up: listen to edited preview songs on the website.” (They’re also on MySpace)
  • Lee Mezcallo raves about the Genkin Philharmonic and hastens to add: “they’re quite good“…

Raging Slab @ De Melkweg, Amsterdam, 1993

Everyone has a secret musical pleasure. One of mine has been the music of Raging Slab. Anyone who knows me, knows I have a definite soft spot for southern rock. Perhaps what I like about Raging Slab is the unique manner in which they combine such seeming contrasting musical influences (punk, progressive, roots, metal, southern rock, country) to create their own sound.
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