Amongst other contributions, this issue features a second submission from Kohjitsu Ohyama, author of two authoritative Japanese books on FZ, proposing a solution to the vexed question of the ‘ultimate compilation’ problem — and from the wilds of Indiana, Prof. Hollinden weighs in with the third installment of his Pigs & Ponies series.
In my youth, I felt like I had an easier time introducing my friends to Zappa. I used to simply play “Bobby Brown Goes Down,” because when you’re 14 or 15 years old, it’s the funniest thing you could possibly hear. It had swear words in it, he was making fun of the jocks we all collectively hated, and it was catchy as Hell! Similar cases could be made for other tunes like “Stick It Out,” “Catholic Girls,” and “Jewish Princess.” Continue reading “Defending Zappa?”
Welcome to KUR’s 2nd Annual Virtual Zappanale Mix for August 2010. For those of us who cannot make it to this year’s festival in Bad Doberan, I have compiled an eclectic mix of some of my favorite FZ covers by well known alumni – and some other not so well known. On this virtual stage, time and space does not matter as acts appear fresh from 1969, while others are temporarily brought back from the hereafter for just one more kick at the can, so to speak, all together in one mix. Of course, I’d love to be there in Bad Doberan, and perhaps I will go there one day, myself. Until then, enjoy the music of the maestro. And the spirit of the Mothers…
While in Stockholm, Sweden on December 4th, 1971 during a short European tour, Frank Zappa and The Mothers appeared on the Swedish TV show entitled “Spotlight“. The 34 minute broadcast had interviews with Zappa mingled with music clips from 200 Motels [“This Won’t Take Long”, “The Final Solution”, “Centerville”] and included performances of “The Air”, “Dog Breath”, “Mother People”, “You Didn’t Try To Call Me”, “King Kong”, and “Who Are The Brain Police?” from Palais Gaumont, Paris, France on December 15th, 1970. Continue reading “Spotlight, Swedish TV, 1971”
Aside from five days of live Zappa music, the Zappanale festival will this year be hosting an exhibition reflecting 20 years of Zappanale. One part will consist of information specifically about “Zappa and the GDR“:
For the pop life of me, I cannot see why anyone past the age of 17 would want to listen to Frank Zappa again, never mind revere him as a deep and important artist, never mind worship at the tottering edifice of his recollected, remastered and repackaged works. Surely the only pertinent use for Zappa was as an interim stage for young lads ‹ scared witless by what they suddenly perceive as the transience or hollowness of popular culture ‹ for whom Zappa represents a gi-normous prefab sneer of self-importance behind which they can shelter for a while. (And, lest we forget: in the pre-Viz, pre-Mayall and Edmondson 1970s, he was the only legitimate supplier of fart and bum and willy jokes).