In 2009, Unverschämtheit (Insolence) Vol. 2, is due for release. A particular focus of the album are songs with the woodwind phrase “Horny Hornz”. Estimated track of the album include: Heavy Duty Judy, Brown Shoes Do Not Make It, The Grand Wazoo, Tinseltown Rebellion, The Meek Shall Inherit Nothing, and Strictly Genteel. Recorded over the last 3 years at various concerts, including the band’s 15-year anniversary at Café Hahn, Koblenz.
On Tuesday, the 11th of August, 2009, in the St.Katharinen Kirche in Hamburg, Sheik Yerbouti will team up with Napoleon Murphy Brock for a “live and unplugged“ session that will kick off Zappanale #20. They will play the festival, itself, on Saturday, the 16th of August.
In the three clips above, Sheik Yerbouti with Napoleon Murphy Brock at the German club Objekt5, in Halle (Saale) on October 14th, 2008, perform “Village Of The Sun”, “Black Page #2”, and “St. Etienne”.
Sheik Yerbouti performed at Zappanale 4,5,8,10, and 14.
I was tagging songs on my Last.fm account the other day (I like to listen to an eclectic mix of music while I work) when I noticed the sheer number of live albums which were being scrobbled from my music library. In no particular order or ranking (they are all equally excellent listening):
Perhaps it was the advent of the music video, MTV, the videotape recorder/player and the eventual evolution of the DVD player along with the rest of the technological wonders of the last twenty years or so that led to the gradual demise of the great live albums. Has any recent band and/or musician released a live album that measures up to the great live albums like those listed above? Where is the impetus for bands/musicians today to record great live albums if a video or a DVD will suffice? I don’t know. There’s something about a really well recorded live album that sticks with you long after you have heard it. It’s like an artifact of an other time. As much as a video or a DVD may attempt to (and in certain ways it may surpass a live recording) it doesn’t capture this aspect of the live album experience. Perhaps this is why field recordings are still so popular.
Let me ask, if and when a Zappa “Roxy DVD” is released, will it take away any of the mystique from the original vinyl recording?