Usually, when most think of the Irish hard rock band, Thin Lizzy, formed in Dublin in 1969, songs like “Whiskey in the Jar”, “Jailbreak” and especially “The Boys Are Back in Town” come to mind. Not surprising since these songs are still staples of hard rock and classic rock stations. Yet, as a hard rock band, peculiarly enough, it wasn’t until their fifth album, Fighting, in 1975, and the advent of their twin guitar sound that they really began to achieve lasting success as a group, followed by their breakthrough album, Jailbreak, in 1976. Continue reading “Sunday Big Note — Listening Session #22”
Here is a powerpoint presentation which looks at an approach to using an artist as a musicological case study. After explaining some potential generic approaches, it looks at Frank Zappa as a case study.
While many focus on Frank Zappa, the composer, so very often Zappa, the songwriter, is overlooked. Perhaps due to the nature of Zappa’s lyrics, themselves, which often take direct aim at human sexuality, and sexual mores in 20th Century American culture – satirizing its norms, its values, its purported virtues of family, of home, of church. From the release of Freak Out onward, Zappa took direct aim with his songs, and his lyrics, at the foibles he saw and witnessed about him. No one and no thing was beyond the scope of his sardonic eyebrow. Continue reading “Cheaper the Better – Lyrically Zappa”
Back on Friday, March 28th, 2008 I published the post, Live Albums — Dead or Alive? in which I listed many of my favourite live albums: Zappa In New York (1978); Super Session (1968) with Mike Bloomfield, Al Kooper, Stephen Stills; and Warren Zevon’s Stand In The Fire (1980/2007) just to name a few. Among them, though, was also an absolute favourite live album of mine which has long stood the test of time. That artist and album being John Mayall’s 1969 live release The Turning Point. Continue reading “Sunday Big Note — Listening Session #21”
…says Brendan in his series of album-couples on his page The Rising Storm, called Double Zappa. With nice reviews and some samples – coincidentally I was just reading about the double knits when found this one – Eddie Are You Kidding?…
This just in from our pal Bill Amutis, aka Ol’ Baggy Eyes:
We have yet to learn our lesson, apparently, because we, the beknighted diehards at WUSB-FM are once again hosting an on-air Zappathon. Meaning: 12 hours of Frank Zappa, on air, webcast all over the globe and beyond.
This Zappathon is being co-ordinated by John Tabacco with assistance by me, Kevin Kovarik, & Nigey Lennon (I hope). WUSB-FM broadcasts from Stony Brook University out of Stony Brook, NY at the frequency of 90.1 FM. We also webcast at wusb.fm. This way the whole world will once again be swathed in the piquant tones of Echidna, Evelyn, & T’Mershi to name a few.
I’ve been rather busy outside of this website as of late, and wouldn’t you know it: that’s when people start sending in all sorts of interesting stuff hoping I’ll relay that stuff here. Without further ado…
Regyptian Strut guitar solo tablature as notated by Mark Hawling who says: “I just get sick of seeing them doing nothing on my HDD when there must be some nutter out there interested in something like this.”
“Waltz For FZ”, as featured on Utopianisti. Says Markus Pajakkala: “I’m a composer/multi-instrumentalist/producer from Finland.”
From Ab Stammehaus: “Warren Cucurullo’s new band Chicanery with new album coming up: listen to edited preview songs on the website.” (They’re also on MySpace)
I was first introduced to the music of Astor Piazzolla on a trip to Buenos Aires, Argentina, back in 2005. Almost instantly, I realized that I had stumbled upon something incredibly powerful. Filled with melancholy, and while rooted firmly in the traditional Argentine tango genre, Piazzolla’s work is at the same time intensely influenced by North-American jazz and modern classical music. As with Frank Zappa, Astor Piazzolla’s music defies categorization.