Well, it had to happen sooner or later: Balint had put up this show back in January, and now we are. Why? Cause it’s a darn goodun!
Edinboro, May 8 ‘74 — For you. For a week. For free.
April 22nd, 2005 • Barry's Imaginary Publisher
Well, it had to happen sooner or later: Balint had put up this show back in January, and now we are. Why? Cause it’s a darn goodun!
Edinboro, May 8 ‘74 — For you. For a week. For free.
This entry was posted on Friday, April 22nd, 2005 at 9:37 am by Barry's Imaginary Publisher and is filed under Frank Zappa, Friday Boots. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.
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April 22nd, 2005 at 12:25 pm »
Fantastic. I adore this Roxy-era stuff. Grateful that I am I’d love to see something from the Japanese tour of ‘76 up here.
Keep up the good work.
April 23rd, 2005 at 5:52 am »
Wow, what a great show! Thank you and gilles x 2 to the 10th. Among the many felicities in this set, was Jeff Simmons taking a guitar solo. Notwithstanding the imaginary-Dupree’s-Lounge-music they were playing, you can tell that Jeff can really play!
April 23rd, 2005 at 12:06 pm »
:-)) See some details here.
April 25th, 2005 at 8:24 pm »
Thanks so much, Balint.
Another really interesting thing in this concert is the version of ‘Inca Roads’ - it’s like a slow rhumba (’god’s big ecumenical rhumba’ or whatever the hell that was?) without a clave. That unaccented rhythm does get boring or doesn’t quite work, but this arrangement is unique in that it spotlights the beautiful chords in the ‘exposition’ section. One of the many nice subtleties on the OSFA version is the careful way Zappa mixed these chords with everything else going on - you can hear them if you ‘look’ for them; they’re kind of the calm center of the storm. So, it’s fun to hear G. Duke play them so upfront; and a lot of it is just him and the rhythm section. Inca Roads is really one of those especially ‘fractal’ Zappa pieces.