Ban(ne)d From Utopia — Stuttgart, 1994


In the summer of 1994, promoters from the Jazz Open festival in in Stuttgart, Baden-Württemberg, southern Germany, contacted the Fowler Brothers.

Chad Wackerman interview at Idiot Bastard:

The Fowler Brothers [Tom & Bruce] got a call from a festival in Stuttgart to play a set of Zappa music. This became the Banned From Utopia. I was called at the last minute to be a guest, so I played a couple of tunes with them at the festival. We then went into the studio and recorded various Zappa tunes and originals over a five year period, and the result was the CD, So Yuh Don’t Like Modern Art.

Agreeing to the project at the last minute, the ten members of Band From Utopia formed for and headlined the 1994 festival. The concert was recorded on 32 track mobile digital and also filmed for broadcast on german television (from which the above clips, “The Illinois Enema Bandit” and “Be-Bop Tango” were recorded). This was the first time all of these musicians collectively had taken the same stage at the same time.

Other tracks such as “I Ain’t Got No Heart“, “Zombie Woof” and “Yo Cats” are available as fan videos (audio only).

Parts of their Jazz Open performance are available on DVD, while a more complete performance is available on CD.

The Ban(ne)d From Utopia are:

Ike Willis – guitars, vocals
Bruce Fowler – trombone
Kurt McGettrick – baritone sax
Bobby Martin – tenor sax, keyboards, vocals
Tommy Mars – piano, keyboards, vocals
Tom Fowler – violin, bass
Arthur Barrow – bass, guitar, vocals
Ed Mann – vibes, percussion
Jay Dittamo – drums
Chad Wackerman – drums, percussion

Note: Their name, The Band From Utopia, eventually morphed into Banned From Utopia.

Update (11/05/09): Thanks to Andrew for enlightening me on the difference between the CD (that contains 15 tracks from the festival) and the DVD (which only replicates three on the CD). Thus the DVD is not a complete performance.

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Mothermania Re-released

This just in via ZFT’s newsletter: Mothermania is now available as a digital download:

This Frank Zappa download is available in DRM-free, MP3 256KBPS and FLAC format. FZ’s MP3’s will play on iPod® and all MP3 players.

Priced at $18 for 256 Kbps mp3, $25 for (lossless) FLAC.

Bah humbug.

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The Black Page – Vienna, 1984

Performed by ORF-Supercussion. Gerald Fromme arranger & leader. Watch out for the very last note!

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Friday Mix: Tweezer Glint – Part One

Approximately a month ago, Barry, our intrepid webmaster, passed on several suggestions for future KUR Mixtapes for me to consider. One such suggestion, from LRonHoover, was to compile concert versions of studio-ized solos. Quite the challenge, I thought, given Frank Zappa’s penchant for using live concert material in the majority of his albums (for instance, Joe’s Garage alone is made up almost entirely of tracks culled from live shows).

So, I spent most of April, and the first week of May, cross-referencing Zappa’s studio albums with my own collection of field recordings and bootlegs. The result is a four part compilation, starting today, entitled “Friday Mix: Tweezer Glint (Studio-ized Concert Versions) Part I“.

Parts Two, Three, and Four will each be posted on consecutive Fridays this May 15th, 22nd, and 29th, respectively.

Click here to listen to the mixtape.

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Frank Zappa — Composer & Guitarist

In the above clip, an audio interview circa 1984, Frank Zappa talks about soloing on the guitar, his attitudes toward live performances, and his relationship with his audience (listen closely at the 7:05 point for a relevant opinion of Frank’s regarding the performing of his solos “note for note”). Quite enlightening.

In the clips below, a radio documentary about Frank Zappa’s bizarre relationship with Jazz, culled from various sources and interviews (some with Zappa himself, just before his passing) with various alumni (Arthur Barrow, Adrian Belew, Mike Brecker, George Duke, Bruce Fowler, Ralph Humphrey, Tommy Mars, Patrick O’Hearn and Don Preston), entitled, albeit, ironically “Jazz From Hell” (presented by Charles Shaar Murray for Jazz File, BBC Radio 3).

News of the initial broadcast caused a hubbub, of sorts, among a sinister group of listeners of Jazz File who, euphemistically, referred to themselves as “The Friends Of Radio 3” or “FoR3” who were up in arms over the station’s decision to devote an edition of Jazz File to Zappa’s work:

“If they put Frank Zappa on,” a FoR3 spokesperson warns direly, “they are likely to alienate jazz fans the way they have classical fans.”

Actually, it’s worse than FoR3 feared. The Zappa special in question, Jazz From Hell, which [Murray] wrote and will present, takes up three Jazz File programmes on successive Saturdays. That’s three occasions on which unsuspecting listeners risk exposure to Zappa’s unique musical universe. And all at the taxpayers’ expense!


Click here to read Charles Shaar Murray’s response to the hubbub his audio documentary stirred up.

Note: In order for this documentary to be allowed to be uploaded to YouTube, most of the FZ music had to be removed first. The original poster, ‘fruhko’, apologizes for the uneven editing, but the content is there. This editing also accounts for the shortened time duration.

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Mothers Night: A Ten Hour Marathon

Rich of another Ugly Radio writes:

We are doing a ten hour marathon of The Mothers on Portland OR station KBOO this Friday night starting at 8pm (PST). That’s right, it’s time once again to remember our Mothers. Of course we mean The Mothers of Invention. Frank Zappa’s seminal band of renegade freaks and musical experimentalists. Bizarre and hilarious indigenous “folk” music, borne of the denizens of the streets of 1960s Los Angeles and El Monte.

Join us FRIDAY, MAY 8TH from 8:00 pm until 6:00 am. Featuring rare live performances, “incidents”, interviews, and special Mothers gifts for those who decide to become a MEMBER of Community Radio KBOO during the broadcast.

Folks around the world can listen in on the web at www.kboo.fm/listen.
Some highlights from last year.

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Led Zeppelin at Wolfgang’s Vault

Here’s some Led Zeppelin for us old coots at KUR from the second set of that final show (April 27) of their legendary four night run of shows at San Francisco’s Fillmore West in April, 1969, via Wolfgang’s Vault, before their massive success eliminated the possibility of their ever performing in such intimate venues again.

Howlin’ Wolf’s “Killing Floor” kicks off the set, the song that would provide the basis for “The Lemon Song,” which was recorded in Los Angeles for Led Zeppelin II during this American tour. Switching to his Danelectro, the folk song “Babe I’m Gonna Leave You,” continues the mellower flavor of this set, before Page settles into a Yardbirds number, “White Summer.” The unreleased rarity, “Sitting and Thinking” is up next, followed by Plant’s typical introduction of John Bonham for “Pat’s Delight” (the song that eventually morphed in “Moby Dick“). They close this final night with a rendition of “Dazed and Confused.”

An excellent example of early Led Zeppelin. Click here to listen to the set.

Led Zeppelin is:

Robert Plant – vocals

Jimmy Page – guitar

John Paul Jones – bass

John Bonham – drums

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Hawksley Workman — Live in France & Elsewhere



Hawksley Workman (born Ryan Corrigan on March 4, 1975) is a Canadian rock singer-songwriter who has garnered critical acclaim for his quirky yet accessible blend of cabaret pop and glam rock. Workman has released ten full length albums throughout his career. A multi-instrumentalist, he plays guitar, drums, bass, keyboards and sings on his records and often switches between those instruments when playing live.

A prolific artist, usually writing, recording, mastering and releasing entire albums in the span of only a few weeks. He explains:

“A lot of artists I know they get a year and a half away from a record they’ve just made it’s like… ‘Oh… it’s terrible I hate that thing,’ ya know? When I record [a] record, I never take more than a day per song… so by the time the record is mixed, finished, complete, done… I’m still in a honeymoon with the record…”

In the first clip, Workman performs “Smoke Baby” live in Lille, France, 2003. It appears on the album Lover/Fighter (Universal Music Canada, 2003). Warning/Guarantee: some tasteful partial male nudity (something Dr. Sharl would appreciate, I’m sure).

The second clip is a video of “The City Is A Drag” shot in a Hamburg, Germany, parking lot on May 7, 2008, during the European Los Manlicious Tour. Directed by Sean Michael Turrell. It appears on the album Los Manlicious (Universal Music Canada, 2008.) There is something very appealing about this bare-bones approach to music video making: one need not be glamorous or flashy to be good.

The third clip has Hawksley Workman on the Canadian CBC program, The Hour with George Stroumboulopoulos, discussing his album, Between The Beautifuls (Universal Music Canada, 2008).

Click on the following to listen to other Hawksley Workman audio interviews:

We’d Like You To Meet Hawksley

Hawksley At Lowlands, 2003

Hawksley Workman is:

•Ryan Corrigan (“Hawksley Workman”) – vocals, guitar
•Todd Lumley (“Mr. Lonely”) – piano, organ, keyboards
•Derrick Brady – bass guitar
Jesse Zubot – guitar & violin
Brad Kilpatrick – drums

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Zappa Radio Interview, New York, 1978

Frank Zappa, on the air with Mark Simone, October 30th, 1978, at WPIX-FM, New York, just prior to one of his annual (and albeit, infamous) Palladium concerts. It’s quite easy to see why these Palladium concerts were of the must see variety.

I wonder if the Warren that FZ is saying hello to “on air” is the same Warren Cuccurullo who later joined his band?

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Zappa On Censorship


Frank Zappa gives his extensive views and opinions on censorship (among other things) on this KPFK FM Radio interview on June 21st, 1990.

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