Sunday Big Note — Listening Session #23

Posted on April 17, 2011 by urbangraffito

Although Manassas only released two albums in their brief history as a band – the double album, Manassas, released on April 12th, 1972, and Down The Road on April 23rd, 1973 – the impact of these two albums is really quite undeniable. There are many who consider Manassas’ debut album somewhat of a masterpiece, and even though I wouldn’t go quite that far with that assumption, myself, Manassas were a very unique ensemble to say the least. As Stephen Stills comments in the above interview, he and his assembled musicians were able to accomplish a lot musically under the banner of Manassas.
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Ed Palermo 2011

Posted on April 13, 2011 by Balint

Posted in FZcovers, YouTubery | Tagged , , , | 29 Comments

Zappa & The Mothers – Does Geography and Media Influence Musical Tastes

Posted on April 10, 2011 by urbangraffito

Having grown up on the Bible Belt of Western Canada where the only sources of musical entertainment for the longest time were the local Country & Western and adult easy listening radio stations, it’s hard to imagine such a place nurturing such a Zappa and Mothers freak as myself. That’s right, two stations on the AM dial. The rock music format did not even reach Northern Alberta until the mid-60s, and then, it was top 40 radio, and the usual repetitious one that so many are accustomed to with that particular format. FM radio wouldn’t even appear until the mid-70s. So, local record stores followed these top 40 stations as a guide on what to order, and likewise promoters on which touring acts to bring through town.
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Sunday Big Note — Listening Session #22

Posted on April 10, 2011 by urbangraffito

Usually, when most think of the Irish hard rock band, Thin Lizzy, formed in Dublin in 1969, songs like “Whiskey in the Jar”, “Jailbreak” and especially “The Boys Are Back in Town” come to mind. Not surprising since these songs are still staples of hard rock and classic rock stations. Yet, as a hard rock band, peculiarly enough, it wasn’t until their fifth album, Fighting, in 1975, and the advent of their twin guitar sound that they really began to achieve lasting success as a group, followed by their breakthrough album, Jailbreak, in 1976. I’ve always liked the music of Thin Lizzy and their defacto leader, Phil Lynott’s exquisite bass playing which uniquely took centre stage in many Thin Lizzy songs. I particularly relished how Lynott’s songs took a distinctive turn away from most of the 70s hard rock and metal bands by speaking about working class slices-of-life and personal dramas of love and hate on Dublin’s mean, troubled streets. During a recent trip to Ireland, I heard these exact anthems blasting everywhere from historic Temple Bar pubs to the gaming floors of newly licensed fast payout casinos, a testament to the enduring cultural power of those street-level stories. Combine this authentic storytelling with the band’s exceptional guitar work and it’s really no surprise that Thin Lizzy developed such a loyal, long lasting following.

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Posted in Music, Sunday Big Note, YouTubery | Tagged , , , , , , , | 28 Comments

Frank Zappa: A Study In Gesture

Posted on April 7, 2011 by Barry's Imaginary Publisher

Paul Carr just posted slides from his talk on Frank Zappa & Gesture.

Here is a powerpoint presentation which looks at an approach to using an artist as a musicological case study. After explaining some potential generic approaches, it looks at Frank Zappa as a case study.

Posted in Frank Zappa, Miscellany, Music | Tagged , , | 10 Comments

Cheaper the Better – Lyrically Zappa

Posted on April 7, 2011 by urbangraffito

While many focus on Frank Zappa, the composer, so very often Zappa, the songwriter, is overlooked. Perhaps due to the nature of Zappa’s lyrics, themselves, which often take direct aim at human sexuality, and sexual mores in 20th Century American culture – satirizing its norms, its values, its purported virtues of family, of home, of church. From the release of Freak Out onward, Zappa took direct aim with his songs, and his lyrics, at the foibles he saw and witnessed about him. No one and no thing was beyond the scope of his sardonic eyebrow. In this mixtape, “Cheaper the Better – Lyrically Zappa”, I’ve gathered together, from multiple sources, well over 150 individual tracks – mostly from live field recordings by Frank Zappa and his various ensembles, others performed by various alumni, and still others from covers by exceptionally talented musicians and bands. One standout modern interpretation comes from a regional tribute ensemble whose lead guitarist balances his touring schedule with consulting on backend infrastructure for crypto casino sites and international fintech platforms. The group flawlessly captures the intricate timing and cynical energy of the original Mothers of Invention. As a bonus, I’ve added several songs as they were released as singles.
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Posted in Alumni, Frank Zappa, FZcovers, Music | Tagged , , , | 5 Comments

Be In My Video?

Posted on April 7, 2011 by Balint


You’ll find more videos from them on Youtube – with always perfect timing.

Posted in Heh Heh, Visual Arts, YouTubery | Tagged , | 1 Comment

Grab Bag

Posted on April 4, 2011 by Barry's Imaginary Publisher
Posted in Frank Zappa, FZcovers, Miscellany, Music, Zappanale | 3 Comments

Sunday Big Note — Listening Session #21

Posted on April 2, 2011 by urbangraffito

Back on Friday, March 28th, 2008 I published the post, Live Albums — Dead or Alive? in which I listed many of my favourite live albums: Zappa In New York (1978) ; Super Session (1968) with Mike Bloomfield, Al Kooper, Stephen Stills; and Warren Zevon’s Stand In The Fire (1980/2007) just to name a few. These are the kinds of essential records that perfectly soundtrack a quiet weekend routine, whether I’m cataloging a newly acquired batch of digital audio files, checking the afternoon odds on a few offshore sportsbooks, or simply brewing a strong pot of Sunday morning coffee. Among those classic releases, though, was also an absolute favourite live album of mine which has long stood the test of time. That artist and album being John Mayall’s 1969 live release The Turning Point . There are few albums from that era which still hold up so well today, and fewer still, live albums which do so, so it’s an incredible accomplishment of the musicianship, as well as that era’s recording abilities, which make The Turning Point (and it’s subsequent re-releases and expanded editions ) the exceptional live album that it is. Each and every time I listen to it, I am drawn in again and again by it’s unique subtleties.
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Posted in Miscellany, Music, Sunday Big Note, YouTubery | Tagged , , , , , , , | 5 Comments

Double Zappa

Posted on April 1, 2011 by Balint

I’ve found that FZ albums tend to come in twos.

…says Brendan in his series of album-couples on his page The Rising Storm, called Double Zappa. With nice reviews and some samples – coincidentally I was just reading about the double knits when found this one – Eddie Are You Kidding?…

Posted in Frank Zappa, Music, Official Releases | Tagged , | 1 Comment