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| | |-+  Anatomy of a DISCOGRAPHY
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Author Topic: Anatomy of a DISCOGRAPHY  (Read 18272 times)
Bálint
Platinum Cucumber
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Posts: 367


I'm a llama!


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Re: Anatomy of a DISCOGRAPHY
« Reply #45 on: October 08, 2007, 02:36:19 PM »

Quote
Hi Bálint,
Many potential contributors might share the same opinion as yours and then get discouraged.
Let's hope we can find a solution very soon in order to help you (and other people) to edit.
And most of all, I would be very happy to see you back here.
C U soon


Thanks, Maroual - I'll see. :-)

emdebe:
Quote
We have gone through this many times before...
Yes, I know - and still nothing changed.
And its not the question of time - its the question of making things good. So (as I've mentioned before): the main thing (to me) is to get rid of the "skeleton pages"; a big "delete" work.
But: the ones who made it are the ones who KNOW (hm.. I'm looking at you, emdebe...) which are those "skeleton pages", where are they, etc. So a big help would be to at least start this cleaning action - the deleting of the pages without content. The way I see it.

What do you think?

As about me: from here it seems to be an endless work... but if I see that at least SOMEONE has tarted it, it would be MUCH easier to join.
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Prowler1979
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eat that question

rocknrollcola
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Re: Anatomy of a DISCOGRAPHY
« Reply #46 on: December 18, 2009, 03:11:53 PM »

Some of the bootlegs need to be updated when it comes to musicians and their roles in the band. Some list generic contributions. An example is some musicians as Ian Underwood only being listed as playing Alto Saxophone on Tis the Season to be jelly and Bunk Gardner only playing Tenor Saxophone. Both musicians had more contributions on the album such as other woodwind instruments played and it can be heard in King Kong.
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