Depending on how well you know me, it may or may not come as a surprise to you dear reader, that this is where Kill Ugly Radio ends.
There are quite a few reasons why I decided today was a good time to put this old and rusty site to rest, but I won’t go into that. Instead, allow me to say it has been an honor and a pleasure to host KUR during the past 11 years. I’ve learned so much from your comments and emails, laughed my ass off at some of them, and believe me when I say that without KUR, I would have never met some of the brightest people within the Zappa community. I’m proud to say some of them remain close friends to this day.
I hope KUR has been a source of fun, discovery and inspiration over the years. Perhaps it gave you a chuckle, or perhaps you became acquainted with music you’d not heard before, perhaps you engaged in, or read some really erudite discussion on a variety of topics. A huge thank you goes out to fellow contributors Balint, Urbangraffito, Dr Sharleena, SOFA, Magicfingers and Alex — and to you silly people for having been with us all these years.
Das Pop are a Belgian band who first became known through their victory in the 1998 edition of Humo’s Rock Rally. I never really thought much of them though I did buy their debut album “I Love” when it first came out, which left me underwhelmed.
Fast forward to the here and now, and Das Pop have a new album out called “The Game”. I haven’t heard the full album yet since I’ve been a little busy kicking my friends butt at solitaire for money, but the title track I must say is an absolute gem. The retro-style introductory vamp, the vocals, the guitars, the production: this is as close as a pop song gets to being perfect.
Don’t take my word for it though — check out the official video (which itself isn’t too shabby either!):
From the very first instant I received a CD release from the independent AltRock label from Milan, Italy, I have been increasingly impressed by the exceptional quality of their releases (see Yugen & Rock In Opposition posted on Saturday, October 30th, 2010). Indeed, the AltRock label appears to be increasingly the “go to label” for prog music lovers. The following four new releases which arrived in my mailbox only add to this label’s increasing appeal. Now, “Let’s hear it for a great Italian label…” Continue reading “AltRock Extravaganza – 2011”
Napoleon Murphy Brock’s physical CD, This Is What Frank Zappa Heard, recorded live at the Red Noodle in Waikiki, Hawaii on September 9th, 1973 gives an example of what Frank Zappa heard when he was looking for a lead singer for the Roxy band. Available from CDBaby for $19.00 (US). Listen to brief samples here.
Although Manassas only released two albums in their brief history as a band – the double album, Manassas, released on April 12th, 1972, and Down The Road on April 23rd, 1973 – the impact of these two albums is really quite undeniable. There are many who consider Manassas’ debut album somewhat of a masterpiece, and even though I wouldn’t go quite that far with that assumption, myself, Manassas were a very unique ensemble to say the least. As Stephen Stills comments in the above interview, he and his assembled musicians were able to accomplish a lot musically under the banner of Manassas. Continue reading “Sunday Big Note — Listening Session #23”
Having grown up on the Bible Belt of Western Canada where the only sources of musical entertainment for the longest time were the local Country & Western and adult easy listening radio stations, it’s hard to imagine such a place nurturing such a Zappa and Mothers freak as myself. That’s right, two stations on the AM dial. The rock music format did not even reach Northern Alberta until the mid-60s, and then, it was top 40 radio, and the usual repetitious one that so many are accustomed to with that particular format. FM radio wouldn’t even appear until the mid-70s. So, local record stores followed these top 40 stations as a guide on what to order, and likewise promoters on which touring acts to bring through town. Continue reading “Zappa & The Mothers – Does Geography and Media Influence Musical Tastes”