Posts Tagged ‘rarities’

Captain Beefheart – Hoodoo Hoedown

Beefheart

For as long as I can remember, I’ve been just as big a Captain Beefheart fan as a Mothers of Invention fan. True, his is not exactly the music for your everyday, run-of-the-mill music listener who relies on a steady diet of Top 40. Still, the very same can be said about much of the Mothers music. That’s exactly what drew me to Beefheart’s music – the very same eclectic playfulness and creative adventure seldom found elsewhere. That Beefheart (as well as the many musicians who made up the various incarnations of The Magic Band) was so overlooked for so long is, indeed, criminal. As the tracks in this mixtape certain attest, Captain Beefheart and his Magic Band were far, far ahead of their time.

Genius? Egoist? Madman?

Listen and decide for yourself.

Click here to listen to the mixtape, “Captain Beefheart – Hoodoo Hoedown

Update: Belated thanks and apologies to rik walton – the fantastic photographer of the above photograph of Don Van Vliet – for not asking his permission for the use of said image and for not linking to his site. Both of which I have remedied. Fellow KUR-Meisters, go forth and check out rik’s wonderful photographic images at his website here.

Beefheart Demos and Rarities

Long before Don Van Vliet was considered the Godfather of Punk for his avant-garde approach to music – it was first and foremost his unique blend of psychedelic blues that attracted me to his music. On these early demos, live recordings, and select tracks only found on his early albums (and nowhere else since) is the Beefheart sound distilled to its essential. Listen and decide for yourself:
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Zappa & Beefheart, Radio KWST, 1975

To promote the only album they ever made together – Bongo FuryCaptain Beefheart and Frank Zappa put together a promotional documentary of their musical lives and times. It contained some obscure material, early collaborations, demos, proto and live versions, as well as official releases. It was broadcast by KWST and other radio stations in the US, on October 1st, 1975 (the day before the official release of their album), and quickly became fodder for bootlegs.
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