Sunday Big Note – Listening Session #19

Riding the post punk wave out of the 1970s and into the 1980s along with such bands as The Talking Heads, The Residents, Devo, and Cardiacs, was a favourite band of mine – a thinking man’s band some would say – Wall of Voodoo. Particularly if you happened to pick up their second full-length album, 1982’s Call of the West – which All Music Guide described as “full of tales of ordinary folks with little in the way of hopes or dreams, getting by on illusions that seem more like a willful denial of the truth the closer you get to them.” To me, at least, a perfect description of the decade of the 80s which would later be aptly described in Jay McInerney’s novel Bright Lights, Big City and Bret Easton Ellis’ 1991 American Psycho.
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Sunday Big Note – Listening Session #13

Growing up as a Canadian teenager in the 1970s, one could literally count the number of well known “homegrown” musical groups and artists on the fingers of one’s hand (okay, maybe two). The trouble was that, at the time, Canada really didn’t possess a viable recording industry. For any Canadian musician or group to “make it”, they literally had to leave the country to do so. Whether you were Joni Mitchell, Anne Murray, The Guess Who, The Sparrows (who would become Steppenwolf upon their move to the U.S.), Denny Doherty (of The Mamas & the Papas), or Neil Young you had to relocate south if you wanted any kind of career.
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