The Tubes – Re Styles, Then & Now

From the very beginning of The Tubes, I was always taken with the vocal and performance style of band member Re Styles – born Shirley Marie MacLeod (certainly being a teenage boy at the time didn’t hurt my infatuation very much). Watch Styles in her role as Patty Hearst, live at California Hall in 1974, as The Tubes perform “Whiz Quiz” and “Crime Medley” (above), then 35 years later as she makes a one night only appearance with the band doing exactly what made her a natural member of the band as the band performs “Smoke” (below).
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Owsley Stanley, 1935-2011

Owsley Stanley died in an automobile accident on March 13 in Australia, where he had been living.

Besides being known to Zappaphiles as a reference in “Who Needs The Peace Corps?”, Mr. Stanley was best known for his work as an amateur chemist, providing his wonder-tonic for the likes of The Beatles and The Grateful Dead. We also have Mr. Stanley to thank for the Dead’s skull logo and served as the inspiration for the group’s dancing bear logos.

We remain vigilant in learning if documents will be released revealing whether or not Mr. Owsley was indeed a CIA man.

From Hungary With Love

I discovered Frank Zappa’s music in the early years of the ’70s, back in my home country, Budapest, Hungary. I was about 20 years old, and just went through eight years of music training, and four years of art school, and all I cared about was art and music (big coincidence, huh?). Of course, I had some interest in girls too, but since I had no formal training regarding that matter, I thought I shouldn’t mention it.

Nice, long article by Gábor Csupó, creator of (among others) the Lost Episodes CD-cover – about youth, about music, about FZ.

Sunday Big Note – Listening Session #18

Unlike many of their contemporaries, British group Gentle Giant‘s classical influences ranged beyond the Romantic to incorporate elements of mediaeval, baroque, and modernist chamber music. Undoubtedly, this was what drew Frank Zappa to their music – that, and their elaborate arrangements, complex instrumental parts, and odd meters, too. I know, that was certainly what drew me to the music of Gentle Giant, too: a band made up of multi-instrumentalists who combined diverse elements from rock, classical, jazz, soul, blues, and the avante-garde, playing more than thirty instruments.
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The ESO plays Zappa

Almost eight weeks ago I learnt that one of The Edmonton Symphony Orchestra‘s 2010-11 Symphony Specials would be a performance of Frank Zappa compositions by a rock group fronted by two Zappa alumni – Ed Mann and Ike Willis – and backed by the ESO on Tuesday, March 15th, 2011 at 7:30pm at Edmonton’s Enmax Hall in the Winspear Centre (see above).
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The Scott Thunes Effect Reloaded

Ever since The Scott Thunes Effect (later known as Bass Notation), went offline, I’ve received numerous requests of people asking if I or anyone else could provide them with Thunes’ bass transcriptions for many of the ’88 band’s tunes, as they were originally listed there.

Today I’m happy to report that we’ve managed to salvage 44 pages of transcripts (with a couple more to follow). A huge thank you goes out to Stewart Cable, who had downloaded the transcripts back when they were still available. He was more than happy to email them to me, so that I could share them with you – so cheers Stewart!

Without further ado, here’s where you can now once again view and/or download these files:

Note: by putting this material online, I am not claiming any authorship and/or copyright. If not for Steve D who did the original transcripts, these files would not even exist.

And finally, as Steve noted in this AFFZ thread with regard to Scott Thunes:

… He’s a big scary man who shouts at people who displease him, so I don’t want him thinking i’m a stalker or anything…

Mr Thunes, if you’re reading this: I second that emotion…

Kentucky Fried Dupree

Brandon Coleman writes:

I just graduated with my bachelors in Jazz Guitar from Morehead State University in Kentucky. Wonderful music program there, with lots of great musicians to play with. For the guitar ensemble, I arranged one of my all-time favorite Zappa tunes, “Dupree’s Paradise”. We even opened up the middle section with some free improvisation. This video is from our Fall 2008 concert, a lot of the guys you see have graduated and went on to make great music.

Varèse: Poême électronique 1958

First presented at the 1958 Brussels Worlds Fair with 425 speakers placed throughout the famous Philips pavilion, the placement of the speakers and design of the building gave the spectators a feeling of being housed within a concrete, silver seashell. A giant model of the atom hung from the ceiling and the sound & imagery premiered to standing room only crowds and I can only imagine was a complete mind-blower to all who witnessed the spectacle. Varese is considered to be the “father of electronic music”, Henry Miller described him as the “stratospheric colossus of sound.” When Philips (Philips electronic company) approached Le Corbusier to design a building for the fair, Le Corbusier said, “I will not make a pavilion for you (Philips) but an Electronic Poem and a vessel containing the poem; light, color, image, rhythm and sound joined together in an organic synthesis.”

The Philips Pavilion was designed by Le Corbusier and  (the architect – later composer) Iannis Xenakis. Modernizm!

Frank Zappa – Penguins In Bondage, 73-74

Ah, the memories, Barry. Especially from the 8th November 1974 WXRT radio broadcast of “Penguin In Bondage” from Frank Zappa’s performance at the Roxy on December 1973 (above) with various visual memories added later. Then a soundboard recording of “Penguin In Bondage” from St.Paul, Civic Center Arena on November 27th, 1974. Followed by a November 15th, 1974 performance of “Penguin In Bondage” at Memorial Auditorium in Buffalo, New York. And lastly, “Stockholm In Bondage” in Stockholm, Sweden on August 21st, 1973 for the Swedish program ‘Opopoppa Special’ (below).
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