In Relix, with the eternal question, again: “So what’s in the vault and when will you let it out?”
March 20th, 2006 • Balint
In Relix, with the eternal question, again: “So what’s in the vault and when will you let it out?”
This entry was posted on Monday, March 20th, 2006 at 8:58 am by Balint and is filed under Frank Zappa, Zappa Audio/Video, Zappa News. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.
Hello and Welcome to the Fine Print!
killuglyradio.com is a community partly dedicated to Frank Zappa. We are non-profit and not in any way endorsed or connected with The Zappa Family Trust and/or Zappa.com. The Zappa Family Trust and Dweezil Zappa have no formal or informal association and in no way condone or support our efforts to further enhance knowledge of and appreciation of the many and vast talents of Frank Zappa. Any content related to FZ is nothing more than a fan's efforts to broaden the knowledge and appreciation of the many works of Frank Zappa. As such, any Zappa related content exists solely as an educational tool to help achieve that goal. Lest ye forget: lawyers are the scum of the earth. You might want to remember that.Credits & Miscellany
WordPress is what's under the hood
March 20th, 2006 at 10:47 am »
Unusually straightforward info from GZ. I’ll try to pick up this mag tomorrow. Has anyone here read the full interview?
March 20th, 2006 at 11:28 am »
For posterity’s sake (there’s no permanent link to that interview), I’m copy/pasting it here:
—–
Gail Zappa: There was a ten-year holdback that prevented me from getting into a distribution deal with any recording involving a touring band. Which means we can start releasing a lot of stuff we were unable to release. Until now I could only release it in cooperation with Ryko—but that word does not apply to my relationship with them. We could always put out anything we wanted through mail order, but that’s the land of diminishing returns no matter what you do. There are all sorts of considerations the person who would like to consume Frank’s unreleased music really doesn’t appreciate. Some do, don’t get me wrong. But it’s expensive to maintain the technology needed to reconstitute what’s in the vault, and we had to put the studio back together.
So what’s in the vault and when will you let it out?
Gail: We’d never, ever done an inventory of the vault. That inventory existed in Frank’s head, and it went with him. You could say there’s X number of boxes in the vault, but there’s no way you can represent what the hell’s in them. You can make a cursory evaluation by going through and looking at what kinds of tapes there are. But there’s also a lot of visual stuff that had nothing to do with the Ryko deal. And even if you see a box that says, “This contains X,” it doesn’t necessarily mean that X is in there, or X is complete or X is retrievable from the format it lives in or that we had any way to transfer it at the time. So we’ve rebuilt the ancient technology and we have our little convection oven…
Joe Travers: It’s not little.
Gail: …And the prescribed baking formula. How many muffins have you produced, Joe?
Joe: Forty or more reels over the past couple of years. From 1968 to ‘75, anything recorded on Scotch tape will play; anything on Ampex won’t and needs to be baked.
Gail: Apart from boxes labeled with a recording or event, you also have all these boxes filled with “build” reels, where Frank’s transferred stuff to make into something else. Or you’ll find a box that just has a group of things in it, stuff stacked together that was mixed at a particular time. Every variation you can think of, we find. Question is, how do we put them together and respect Frank’s intentions?
—–
March 20th, 2006 at 2:30 pm »
Stop moaning and get on with it!
March 20th, 2006 at 3:32 pm »
blank, empty space…
…well, yes, it’s somewhat straight-forward…
…however, we’ve heard this all before, in some form or another, haven’t we?
This looks like another slow dribble in the info stream. How many magazines can they sell with this crap? I’m with xorg - the expression, “shit or get off the pot (stage?)”, seems to apply.
March 20th, 2006 at 3:56 pm »
Who the fuck is Joe Travers?
March 20th, 2006 at 4:06 pm »
Maybe we should collect the promises this far: “5-6 releases a year”, “Releasing Trance Fusion”, “Roxy DVD”, “hundreds of possible releases in the vault”…. etc.
March 21st, 2006 at 12:25 am »
A sensitive instrumental ballad for late-nite easy listening.
March 21st, 2006 at 9:30 pm »
For those who ask, Joe Travers is the vaultmeister who helps go through all the tapes, restores them onto digital format and/or mixes them in digital format for release. That way none of the Zappa’s even have to listen to it!
March 31st, 2006 at 4:08 pm »
Ahoy!
The new issue of the American magazine Relix you
contains a nifty 22-page tribute to the life, music, and afterlife of Frank Zappa. I guest edited the section, which contains interviews with Gail and Dweezil Zappa,
we-was-there recollections by Steve Vai and Mike Keneally, Zappa 101 and 102 (and 201) introductions to his music, and apprecations by many of your favorite yamband stars — not to mention Weird Al Yankovic and Yoko Ono.
Please check it out. I truly believe you’ll find it worth the effort.